 The BM 5 is a high-performance monitor that builds on classic Dynaudio Acoustics technology, and it comes as a very compact package that sports a redesigned exterior. This small monitor is the perfect choice for production environments where space is a concern and passive monitoring is preferred. The BM 5 is well suited for music monitoring and mixing, broadcasting, OB vans, edit suites, playback suites, project studios and smaller post production facilities. As soon as the new BM 5 is shipping, it will replace the former BM 5 which will be discontinued.
The minute size of the monitor is no obstacle for superior performance; in fact, this monitor delivers outstanding results for its size. The BM 5 is very suitable for smaller 5.1 productions operating in space restricted environments, and the BM 5 can be combined with the BM 9S, delivering a serious and high octane 5.1 system.
The BM 5 is built upon a continuous development of the BM series. This small passive monitor is a result of the continuous research done in the Dynaudio Acoustics laboratories. The redesign and fine-tuning of the BM 5 have been done with great care, and even the most demanding ears will enjoy the clarity and presence of this monitor.
The 2-way passive system with a 175mm (6.9") woofer and a 28 mm (1.1") soft dome tweeter, builds on classical reference monitor technology. The BM 5 comes with a frequency response of 50 Hz - 21 kHz. |  Applications for the BM 6 cover every aspect of sound engineering and reproduction, including music and speech monitoring and mixing, radio station, OB vehicles, edit suites, post production, recording studios and playback rooms.
Their small size combined with their brilliant performance also make them suitable for use as rear channel speakers in surround systems. In combination with the BM 9S it is also well suited for a full-blown 5.1 system in smaller rooms.
The Dynaudio Acoustics nearfield monitor BM6 is a 2-way passive system comprising a 175mm (6.5") woofer and a 28mm (1.25") ESOTEC soft dome tweeter, housed in a ported cabinet.
The BM 6 Nearfield Monitor establishes a firm and realistic link between the production environment and the increasingly high demands of the consumers. The sound of the BM 6 is clean, punchy, accurate and transparent, and when using quality amplifiers with good current capabilities, excellent results will be achieved.
The BM 6 is a nearfield monitor for those who require more power and improved high frequency definition. It employs the same bass driver as the BM 5, but additionally offers a refined crossover circuitry and the very latest ESOTEC soft dome tweeter, delivering resolution without sharpness and dynamic response without aggression. |  The BM15 is the largest and most powerful speaker within the BM Passive range and is designed for any studio application where higher sound pressure levels and extended low frequence response are required. Its astonishing power handling and full range extended bass response makes it the perfect alternative to wall mounted main monitors, particularly for commercial studios, project studios and post production facilities.
• Unique linear phase and frequency response
• Every monitor matched to any other monitor within ± 1.5dB
• 28mm ESOTEC soft dome tweeter with aluminum voice coil
• 240mm magnesium silicate impregnated polypropylene (MSP) bass driver with exceptionally large 100mm aluminum voice coil |
 As the result of a long-term research project, analyzing the essential requirements of engineers working for long periods of time at high levels in front of a mixing console, the M1 is targeted first and foremost, at music mixing applications.
Specifically designed for mounting on or above the meter bridge on the console, the trapezoidal M1 has a frequency response tailored to compensate for the interference effects in the low and mid frequency regions caused by the console surface. It is the very first monitor to even approach a flat response in this complex and specific application, and provides dramatic improvements to the engineering environment in virtually any kind of control room. Due to an excellent phase response, the stereo field is of a clarity and precision absolutely essential to accurate mixing, and the M1 can comfortably generate the kind of levels and frequency response normally associated with much larger systems.
The M1 is a "High Energy" monitor, and every component has been designed for both quality of reproduction and extreme reliability.
Each driver can comfortably handle 1000W transient with no degradation of signal or components, leading to an outstanding dynamic response when coupled with suitable amplifier. Distortion products are typically 15dB lower than so called reference monitors in current use - ensuring that the soundfield is highly accurate, and that "ear fatigue" is virtually eliminated.
The M1 is a quality reference tool which can transform almost any large console monitoring environment into one worthy of the digital era. Frequency response is 50Hz to 20Hz, and long terms SPLs of 122dB can be achieved at 1.25m. When coupled with one or two Dynaudio Acoustics subwoofers, the M1 is transformed into a full blooded main monitoring system which is flat from 35Hz to 20Hz, and is capable of delivering very high SPLs in mixing position. |  Air 6 Active Nearfield Monitor pair
(1 Master, 1 Slave) with Air Remote and Air Software
AIR6 is developed for both stereo and multichannel monitoring in any demanding environment including:
Post Production
Music Recording and Mixing
Film Editing (smaller rooms)
DVD authoring and Mastering
5.1 Production (Audio or Audio for pictures)
Broadcast
Edit suites
Typical listening distance 1.2-2m / 4-7ft Typical room size 50-100m3 / 1600-3500ft3
Features
- 6.5" woofer and 1.1 soft dome tweeter
Bass Management, with selectable frequency crossover points
Acoustic Placement Compensation
Preset Storage and Recall
Programmable reference levels
Level alignment in 0,1dB steps
All Monitors aligned within +/- 0.2dB precision
Integrated Parametric EQs and delay in each monitor (only accessible with PC-IP)
Central and Remote control of system and parameters
Direct Digital inputs and Analog inputs (optional)
Networking in-between all AIR components
Dedicated AIR Base subwoofers
Two times 200-watt amp package in each monitor
Bass Management, with selectable frequency crossover points
Acoustic Placement Compensation
Preset Storage and Recall
Programmable reference levels
Level alignment in 0,1dB steps
All Monitors aligned within +/- 0.2dB precision
Integrated Parametric EQs and delay in each monitor (only accessible with PC-IP)
Central and Remote control of system and parameters
Direct Digital inputs and Analog inputs (optional)
Networking in-between all AIR components
Dedicated AIR Base subwoofers | 
Untitled Document
AIR6 is developed for both stereo and multichannel monitoring in any demanding environment including:
- Post Production
- Music Recording and Mixing
- Film Editing (smaller rooms)
- DVD authoring and Mastering
- 5.1 Production (Audio or Audio for pictures)
- Broadcast
- Edit suites
Typical listening distance 1.2-2m / 4-7ft
Typical room size 50-100m3 / 1600-3500ft3
To read more about AIR6:
Download the AIR brochure or AIR manual from the AIR6 menu
- 6.5" woofer and 1.1 soft dome tweeter
- 192 kHz support via Dual Wire
- Bass Management, with selectable frequency crossover points
- Advanced Bass Management
- Acoustic Placement Compensation
- Preset Storage and Recall
- Programmable reference levels
- Level alignment in 0,1dB steps
- All Monitors aligned within +/- 0.2dB precision
- Integrated Parametric EQ's and delay in each monitor (only accessible with PC-IP)
- Central and Remote control of system and parameters
- Direct Digital inputs and Analog inputs (optional)
- Networking in-between all AIR components
- Dedicated AIR Base subwoofers
- Two times 200-watt amp package in each monitor
|
|
Untitled Document
AIR6 is developed for both stereo and multichannel monitoring in any demanding environment including:
- Post Production
- Music Recording and Mixing
- Film Editing (smaller rooms)
- DVD authoring and Mastering
- 5.1 Production (Audio or Audio for pictures)
- Broadcast
- Edit suites
Typical listening distance 1.2-2m / 4-7ft
Typical room size 50-100m3 / 1600-3500ft3
To read more about AIR6:
Download the AIR brochure or AIR manual from the AIR6 menu
- 6.5" woofer and 1.1 soft dome tweeter
- 192 kHz support via Dual Wire
- Bass Management, with selectable frequency crossover points
- Advanced Bass Management
- Acoustic Placement Compensation
- Preset Storage and Recall
- Programmable reference levels
- Level alignment in 0,1dB steps
- All Monitors aligned within +/- 0.2dB precision
- Integrated Parametric EQ's and delay in each monitor (only accessible with PC-IP)
- Central and Remote control of system and parameters
- Direct Digital inputs and Analog inputs (optional)
- Networking in-between all AIR components
- Dedicated AIR Base subwoofers
- Two times 200-watt amp package in each monitor
|
| 
AIR15 is developed for both stereo and multichannel monitoring in any demanding production environment including:
- Post Production
- Music Recording and Mixing
- Film Editing (smaller rooms)
- DVD authoring and Mastering
- 5.1 Production (Audio or Audio for pictures)
- Broadcast
- Edit suites
- 10" woofer and 1.1 soft dome tweeter
- 192 kHz support via Dual Wire
- Bass Management, with selectable frequency crossover points
- Advanced Bass Management
- Acoustic Placement Compensation
- Preset Storage and Recall
- Programmable reference levels
- Level alignment in 0,1dB steps
- All Monitors aligned within +/- 0.2dB precision
- Integrated Parametric EQ's and delay in each monitor (only accessible with PC-IP)
- Central and Remote control of system and parameters
- Direct Digital inputs and Analog inputs (optional)
- Networking in-between all AIR components
- Dedicated AIR Base subwoofers
- Two times 200-watt amp package in each monitor
|
| 
AIR15 is developed for both stereo and multichannel monitoring in any demanding production environment including:
- Post Production
- Music Recording and Mixing
- Film Editing (smaller rooms)
- DVD authoring and Mastering
- 5.1 Production (Audio or Audio for pictures)
- Broadcast
- Edit suites
- 10" woofer and 1.1 soft dome tweeter
- 192 kHz support via Dual Wire
- Bass Management, with selectable frequency crossover points
- Advanced Bass Management
- Acoustic Placement Compensation
- Preset Storage and Recall
- Programmable reference levels
- Level alignment in 0,1dB steps
- All Monitors aligned within +/- 0.2dB precision
- Integrated Parametric EQ's and delay in each monitor (only accessible with PC-IP)
- Central and Remote control of system and parameters
- Direct Digital inputs and Analog inputs (optional)
- Networking in-between all AIR components
- Dedicated AIR Base subwoofers
- Two times 200-watt amp package in each monitor
|
|
AIR15 is developed for both stereo and multichannel monitoring in any demanding production environment including:
- Post Production
- Music Recording and Mixing
- Film Editing (smaller rooms)
- DVD authoring and Mastering
- 5.1 Production (Audio or Audio for pictures)
- Broadcast
- Edit suites
- 10" woofer and 1.1 soft dome tweeter
- 192 kHz support via Dual Wire
- Bass Management, with selectable frequency crossover points
- Advanced Bass Management
- Acoustic Placement Compensation
- Preset Storage and Recall
- Programmable reference levels
- Level alignment in 0,1dB steps
- All Monitors aligned within +/- 0.2dB precision
- Integrated Parametric EQ's and delay in each monitor (only accessible with PC-IP)
- Central and Remote control of system and parameters
- Direct Digital inputs and Analog inputs (optional)
- Networking in-between all AIR components
- Dedicated AIR Base subwoofers
- Two times 200-watt amp package in each monitor
|
| 
AIR12 - powerful two-way nearfield speaker οΏ½ is the latest addition to the AIR family - a wide range of networked studio monitors for stereo, 5.1 and up.
AIR12 suits all sizes of control rooms and OB vans and its high precision amp/driver system (+/- 0.2dB accuracy) ensures complete consistency with the entire AIR family in a variety of stereo and 5.1 setups οΏ½ remote controllable via the AIR Remote or the included Air Soft application.
DSP room adaption allows for perfect customization for any room construction and its inter-monitor level calibration feature ensures consistent levels in all sessions.
Features
- 8" woofer and 1.1 soft dome tweeter
- 192 kHz support via Dual Wire
- Advanced Bass Management with selectable frequency crossover points
- Acoustic Placement Compensation
- Preset Storage and Recall
- Level alignment in 0,1 dB steps
- All Monitors aligned within +/- 0.2 dB precision
- Integrated Parametric EQ's and delay in each monitor (only accessible with PC-IP)
- Central and Remote control of system and parameters
- Direct Digital inputs and Analog inputs (optional)
- Networking in-between all AIR components
- Dedicated AIR Base subwoofers
- 200 Watt amp on both woofer and tweeter
|
| 
AIR12 - powerful two-way nearfield speaker is the latest addition to the AIR family - a wide range of networked studio monitors for stereo, 5.1 and up.
AIR12 suits all sizes of control rooms and OB vans and its high precision amp/driver system (+/- 0.2dB accuracy) ensures complete consistency with the entire AIR family in a variety of stereo and 5.1 setups remote controllable via the AIR Remote or the included Air Soft application.
DSP room adaption allows for perfect customization for any room construction and its inter-monitor level calibration feature ensures consistent levels in all sessions.
Features
- 8" woofer and 1.1 soft dome tweeter
- 192 kHz support via Dual Wire
- Advanced Bass Management with selectable frequency crossover points
- Acoustic Placement Compensation
- Preset Storage and Recall
- Level alignment in 0,1 dB steps
- All Monitors aligned within +/- 0.2 dB precision
- Integrated Parametric EQ's and delay in each monitor (only accessible with PC-IP)
- Central and Remote control of system and parameters
- Direct Digital inputs and Analog inputs (optional)
- Networking in-between all AIR components
- Dedicated AIR Base subwoofers
- 200 Watt amp on both woofer and tweeter
|
|
 Applications for the BM6a cover every aspect of sound engineering and reproduction, including music and speech monitoring and mixing, radio station, OB vehicles, edit suites, post production, recording studios and playback rooms.
Their small size combined with their brilliant performance also make them suitable for use as rear channel speakers in surround systems. In combination with the BX30 it is also well suited for a full-blown 5.1 system in smaller rooms.
Model BM6A
System 2-way Active Nearfield Monitor
Frequency Response
(+/- 3 dB) 41 Hz - 21 kHz
Max SPL 1m, pair
(IEC Long Term) 118 dB RMS
Max SPL 2m, 5.1
(IEC Long Term) 119,5 dB RMS
Input level for 85 dB
SPL @ 1m (+4/-10) -12 dBu RMS / -28 dBu RMS
Input level for max peak SPL (+4/-10) +16 dBu peak / -1 dBu peak
Power consumption Idle: 25 W / Max: 200 W
Amplifier power Tweeter: 100 W / Woofer: 100 W
Resonance Frequency 49 Hz
Internal Cabinet Volume 9,5 liters
Bass Principle Bass reflex
Crossover Frequencies 2200 Hz
Crossover Slope 24 dB/oct
Tweeter Esotec 28 mm soft dome, rear chamber, Magnetic fluid. 4 mm die-cast alu front,
Woofer 17 cm, 75 mm pure alu wire voice coil, One piece molded polypropylene cone
Weight 11 kg
Dimensions (WxHxL) 217 x 338 x 321 mm |  The BM15A is a revolutionary nearfield monitor offering exceptionally high performance. Its full range extended bass response makes it the perfect nearfield monitor, particularly for commercial studios, project studios and post production facilities.
Model BM15A
System 2-way Active Nearfield Monitor
Frequency Response
(+/- 3 dB) 30 Hz - 21 kHz
Max SPL 1m, pair
(IEC Long Term) 124 dB RMS
Max SPL 2m, 5.1
(IEC Long Term) 125,5 dB RMS
Input level for 85 dB
SPL @ 1m (+4/-10) -18 dBu RMS / -34 dBu RMS
Input level for max peak SPL (+4/-10) +16 dBu peak / -1 dBu peak
Power consumption Idle: 40 W / Max: 300 W
Amplifier power Tweeter: 100 W / Woofer: 200 W
Resonance Frequency 39 Hz
Internal Cabinet Volume 27,5 liters
Bass Principle Bass reflex
Crossover Frequencies 1800 Hz
Crossover Slope 30 dB/oct
Tweeter Esotec 28 mm soft dome, rear chamber, Magnetic fluid. 4 mm die-cast alu front,
Woofer 24 cm, One-piece molded polypropylene cone, 100 mm pure alu wire voice coil
Weight 18,6 kg
Dimensions (WxHxL) 290 x 454 x 388 mm |  A single BX30 is a perfect match to any of the smaller Dynaudio Acoustics monitors, such as the BM5, BM6, BM6A or M1. The integrated 95Hz crossover, variable balance and phase adjustment allows perfect matching in any position giving complete reedom of movement and placement of the BX30 a feature that is very useful in confined spaces!
Two BX30s will be more than a match for the BM15 and BM15A, while four will rival the output of the world's largest monitor systems. The BX30 can grow with your equirements and give a lifetime ofservice. |
 Many quality loudspeaker manufacturers utilize Dynaudio components in their monitors but few can compare to the Dynaudio listening experience. The BM5A nearfield monitor brings Dynaudio's custom drivers, high performance amplifiers and electronic crossover to a compact size!
Dynaudio BM5A 2-Way Active Monitor at a Glance:
• Outstanding monitor for small spaces and surround systems
• Flawless performance from 100% custom-designed and built drivers, cabinets and electronics
• Clear, clean bass from 6.9" woofer
• Even, peak-free response from silk dome tweeter
• Master-built bass reflex cabinet optimizes low frequency response
• Dual discrete MOSFET amplifiers and precision electronics power the cleanest possible signal
Outstanding monitor for small spaces and surround systems
This high-performance monitor comes in a very compact design and is ideal for production environments where space is a concern. The BM5A is well suited for music monitoring and mixing, broadcasting, mobile vans, edit suites, playback suites, project studios and smaller post production facilities. The small size in combination with renowned Dynaudio Acoustics performance also makes the BM5A suitable for smaller 5.1 productions. When space is limited, the combination of the BM 5A with a subwoofer will deliver a full-blown 5.1 system with remarkable performance usually only found in larger setups.
100% custom-designed and built drivers, cabinets and electronics
Like all Dynaudio monitors, the BM5A is completely custom-designed and built to assure a perfect match of components. The drivers are specifically designed to avoid acoustic and performance problems that would require extensive manipulation of crossovers to correct. The cabinets are crafted in Dynaudio's Denmark facility and minimize resonance while enhancing bass response. And the BM5A's crossovers, protection circuitry and power amplifiers all are optimized for maximum performance, phase-coherent reproduction and high SPLs.
Clear, clean bass from 6.9" woofer
Dynaudio molds the BM5A's low frequency driver cone of Magnesium Silicate Polymer with their special "flat cone" geometry for outstanding transient response and minimal breakup. With a cast aluminum frame, oversized vented magnet and 3" aluminium alloy voice coil this driver delivers plenty of output power and sheer punch down to 50Hz.
Even, peak-free response from silk dome tweeter
The BM5A's high frequency driver ensures quality and high headroom. While many monitor manufacturers use metal dome drivers which can have problematic peaks, the BM5A's specially coated silk soft dome tweeter provides excellent response with no ringing or resonances.
Master-built bass reflex cabinet
Also built in Dynaudio's plant, the BM5A enclosure is constructed of hand-selected premium woods and quality veneers. Its front bass port contributes to the BM5A's surprisingly powerful low frequencies. Radius edges on the front baffle reduce boundary effects and improve the overall sound quality. And with its elegant matte finish the BM5A looks every bit as good as it sounds!
Precision electronics for the cleanest possible signal
Thanks to its custom-designed electronic crossover the BM5A offers a seamless transition between drivers. You've got plenty of power from the built-in high performance amplifiers, with 50 watts for the low frequency driver and 50 watts for highs. Precision protection circuitry ensures the drivers are safe from damage. If you need quality in sound reproduction for a small environment you don't want to miss the BM5A!
Dynaudio BM5A 2-Way Active Monitor Features:
* Active nearfield monitor with 6.9" woofer and 1.1" silk dome tweeter
* Frequency response 50Hz - 21kHz (+/- 3 dB)
* Maximum SPL at 1 meter, pair (IEC Long Term) - 115 dB peak
* Maximum SPL at 2 meters, 5.1 (IEC Long Term) - 116 dB peak
* Amplifier power - Tweeter: 50 watts Woofer: 50 watts
* Bass reflex cabinet with radius edges on front baffle
* 1.1" Esotec tweeter with soft dome, rear chamber, magnetic fluid cooled
* 6.9" one-piece molded polypropylene cone woofer with 3" pure aluminum wire voice coil
* 12.5" h x 12.5" w x 7.3" d |  The BM 5A Compact is an extremely small yet very powerful speaker for post and broadcast production.
Dynaudio Acoustics have gone to great length to ensure massive power and superior sound quality in combination with serious space restrictions, and novel research have made it possible to fit loads of power and quality into a very minute cabinet, defeating what was previously deemed impossible.
That effort now gives audio professionals an extremely compact nearfield monitor with uncompromising acoustic qualities, and fills an important gap in the broadcast and post production industry, where space often is the determining factor for installations.
The BM 5A Compact is a great solution for the space problems that remote broadcast trucks/OB Vans and tight editing bays have to deal with.
BM 5A Compact is an active two-way nearfield monitor that provides a solution for uncompromising quality in very small spaces. The renowned Dynaudio Acoustics sound has been preserved and fine tuned, and this monitor perfectly embodies and strengthens the celebrated craftsmanship and innovation of the BM series.
Through considerable research and development, Dynaudio Acoustics has managed to equip the petite cabinet of the BM 5A Compact with woofers and tweeters of the same high-quality as in the BM 5A active monitor, which is two times the size of the BM 5A Compact. Two 50-watts amps, operating within a frequency response of 55 Hz - 21 kHz, has been fitted into a cabinet that is as small as (w x h x d) 170 x 260 x 235 mm / 6.7 x 10.2 x 9.3. |  This two-way active analog nearfield monitor with a 6.9 woofer and a 1.1 soft dome tweeter delivers distinctive Dynaudio clarity and accuracy, exposing every audible detail for the critical and demanding engineer. Onboard LF/MF/HF placement filters, as well as subwoofer high-pass filters allow the monitor to easily adapt to any environment.
Two-way full analog active nearfield monitor - 6.9 woofer and 1.1 soft dome tweeter.
Features:
* Integrated positioning filters (LF/MF/HF shelving/notch)
* 60/80Hz high-pass filter for subwoofer adaptation
* Balanced analog XLR input
* 50W/100W tweeter/woofer amplifier
* Input sensitivity switch (-10/+4dB range)
* Clip indicator LED
* Thermal amplifier protection |
 The BM 12 A is a two-way active analog monitor with an 8 woofer and 1.1 soft dome tweeter featuring proprietary Dynaudio Acoustics neodymium driver technology. This model includes switchable EQ contour filters for optimizing speaker placement, as well as high-pass filters for use with subwoofers, like Dynaudio Acoustics BM14S
Two-way full analog active nearfield monitor - 8 neodymium magnet woofer and 1.1 soft dome neodymium tweeter.
Features
* Neodymium 8 woofer
* Neodymium soft dome tweeter
* Integrated positioning filters (LF/MF/HF shelving/notch)
* 60/80Hz high-pass filter for subwoofer adaptation
* Balanced analog XLR input
* 50W/100W tweeter/woofer amplifier
* nput sensitivity switch (-10/+4dB range)
* Clip indicator LED
* Thermal amplifier protection
| 
AIR Remote is a dedicated hardware remote control that ensures convenient daily operation. AIR Remote provides instant access to all significant operation parameters such as global volume, reference levels, preset recall as well as solo and mute status for each monitor. The AIR Remote is powered through a βTC Link' cable which is connected any AIR monitor.
Features:
- Global volume control
- Recall and Storage of three Reference levels
- Mute and Solo of individual speakers
- Preset recall
|
|  AIR SOFT is a software remote control application that runs both on MAC and PC. It is intended for convenient daily operation and enables users to control AIR system parameters and presets real time.
Moreover AIR SOFT can be used to back-up settings as well as to upload new software to AIR components. A βTC Link to Serial Portβ converter-cable is included with AIR SOFT.
Users without a serial port on their Computer should acquire a USB to serial port converter. |
 Advanced calibration and alignment of AIR systems. The AIR PC-IP β Advanced Installers PC Interface Package β is a PC software package that gives access to advanced tools and features inside AIR monitors and subwoofers. Among other things, PC-IP enables adjustment of parametric EQβs and delay times for each monitor.
Moreover it is possible to define and store custom setups and presets with selective parameter locking. A special measurement mode provides EQ line signal out from selected monitor.
PC-IP is intended for people with extensive acoustic knowledge as well as appropriate measurement tools. | | As the result of a long-term research project, analyzing the essential requirements of engineers working for long periods of time at high levels in front of a mixing console, the M1 is targeted first and foremost, at music mixing applications.
Specifically designed for mounting on or above the meter bridge on the console, the trapezoidal M1 has a frequency response tailored to compensate for the interference effects in the low and mid frequency regions caused by the console surface. It is the very first monitor to even approach a flat response in this complex and specific application, and provides dramatic improvements to the engineering environment in virtually any kind of control room. Due to an excellent phase response, the stereo field is of a clarity and precision absolutely essential to accurate mixing, and the M1 can comfortably generate the kind of levels and frequency response normally associated with much larger systems.
The M1 is a "High Energy" monitor, and every component has been designed for both quality of reproduction and extreme reliability.
Each driver can comfortably handle 1000W transient with no degradation of signal or components, leading to an outstanding dynamic response when coupled with suitable amplifier. Distortion products are typically 15dB lower than so called reference monitors in current use - ensuring that the soundfield is highly accurate, and that "ear fatigue" is virtually eliminated.
The M1 is a quality reference tool which can transform almost any large console monitoring environment into one worthy of the digital era. Frequency response is 50Hz to 20Hz, and long terms SPLs of 122dB can be achieved at 1.25m. When coupled with one or two Dynaudio Acoustics subwoofers, the M1 is transformed into a full blooded main monitoring system which is flat from 35Hz to 20Hz, and is capable of delivering very high SPLs in mixing position. |
 The M1.5 is a fairly "punchy" monitor with an incredible bass response mainly suited to popular music tracking and mixing, voice and dialog recording, and as L, C, R monitors in high performance surround monitoring systems.
Mounted either in the nearfield on top of a console or in midfield just behind
the console on suitable stands, it can easily fulfill the majority of monitoring needs. Flush mounting is also an option when careful attention is paid to room design, construction and acoustic treatment.
An obvious feature of the M1.5 is the extraordinary output from such a compact speaker.
For the first time, a performance exceeding that of many so called "main" monitors is available from a unit of a size suiting even the smallest facility.
With a frequency response from 40Hz to 20kHz, and a maximum output in excess of 120dB SPL at 1.25m, the M1.5 is truly exceptional.
Where it is quite normal to employ audio processing techniques to extract the last drop of performance from a drive unit in an active system, the totally passive M1.5 relies purely on component quality. The secrets behind its performance lie in the new high sensitivity drivers developed exclusively for this model, coupled with a very efficient twin ported cabinet and an impedance corrected crossover which ensures that the optimum load is presented to the amplifier at all times. Imaging is pin sharp, even in difficult environments, thanks to the directionally controlled tweeters.
A trim switch on the rear of the cabinet allows for fine tuning of the mid/high frequency response, further enhancing its use in near and midfield environments with
varying acoustical characteristics. |  Stereo imaging is pinpoint accurate thanks to the computer optimized designs of the crossover and drivers, and the M2 is capable of SPLs of up to 125dB at 1.25m as a stand alone system. When combined with a pair of Dynaudio Acoustics subwoofers, the system becomes a full 4 way main monitoring system capable of very high SPLs with a full frequency response down to below 35Hz.
The original design concept for the M2 was a compact near-to-midfield monitor, which would remove the need for larger built-in systems with their inherent problems of accuracy, installation and cost.
Every component of the M2 has been designed for both quality of reproduction and extreme reliability, and each driver can comfortably handle very high transients with no degradation of signal or components, leading to an outstanding dynamic response when coupled with a suitable amplifier with good current capabilities.
The result is a system which, in its various configurations, is the most flexible monitor package ever designed. By combining M2 with Dynaudio Acoustics subwoofer systems, it is possible to use one basic package for anything from desktop to
main monitoring.
The M2 is essentially flat from 45Hz to 20Hz, and the specially designed bass, mid range and high frequency drivers are capable of reproducing impulsive transients of up to 1000W each without compression. |  Designed for continuous high power operation in a correctly constructed acoustic space, the M3 represents the fruit of a research and development program aimed at elevating main monitors above the realm of modified PA speakers. A pair of 300mm bass drivers are perfectly complemented by two 150mm piston midrange drivers employing massive 75mm coils. High frequencies are accommodated by a high power version of the 28mm ESOTAR T-330 DA dome tweeter, which enjoys a reputation as the finest dome tweeter available. All drivers are ferrofluid cooled, a benefit only made possible on low frequency drivers by the use of custom designed ferrofluid compounds applied to very tightly tolerated voice coil gaps a feature absolutely unique to Dynaudio Acoustics.
The result is a very clean, dynamic and powerful speaker in which common problems, such as cone break up, thermal compression and phase misalignment have been almost eliminated. Frequency response is full and flat, and the overall transparency of sound leaves no doubt that the M3 truly advances the art of monitoring at high levels without sacrificing quality at more relaxing volume.
Levels from 85 to 120dBA exhibit essentially identical timbre allowing total confidence in mix decisions regardless of monitoring level.
Passive or Active
The M3 Main Monitor is available in both Passive and Active versions. Both versions employ the same sophisticated impedance corrected passive crossovers between midrange drivers and tweeter. The Passive version has internal links for simple adjustment of low frequency levels, and is primarily intended for user installation on rigid stands within a control room, although soffit mounting is entirely feasible. The bi-amped Active system uses an active external crossover offering full equalization capabilities together with dual-band electronic driver protection.
* Unique linear phase and frequency response
* Every monitor matched to any other monitor within ± 1.5dB
* 28mm ESOTAR soft dome tweeter with aluminum voice coil
* Dual 150mm magnesium silicate impregnated polypropylene (MSP) midrange drivers with
75mm voice coils
* Dual 300mm polypropylene bass drivers with exceptionally large 100mm aluminum voice coils
* offering dramatic improvements in power handling, bass response and distortion figures over conventional systems
* Gold plated professional binding posts accepting heavy-gauge speaker cable
* Heavy internal damping for minimum cabinet resonance.
* Thermal protection of the tweeter |
The AIR 20 offers transparency, consistent speaker performance and outstanding possibilities for optimizing performance in different Acoustical environments. The AIR 20 is developed for both stereo and multi-channel monitoring in demanding production environments including:
- Post Production
- Music Recording and Mixing
- Film Editing (smaller rooms)
- DVD authoring and Mastering
- 5.1 Production (Audio or Audio for pictures)
- Broadcast
- Edit suites
Combining technology from Dynaudio and TC, AIR 20 offers ultimate precision and sound.
The possibility of rotating the Mid-High module offers the flexibility for optimal placement in a wide range of applications.
With rotated Mid-High Module
Typical listening distance 1.5-3m / 5-10.2ft
Typical room size 80-130 m3 / 2800-4600 ft3
The AIR 20 monitor is the first 3-way design integrating the AIR technology. Combining brand new Dynaudio 221 (two-to-one) technology with cutting-edge digital TC technology, the AIR 20 defines new standards for performance and precision in 3-way powered monitors.
- 10" woofer, 5.5" midrange and 1.1 soft dome tweeter
- 192 kHz support via Dual Wire
- The new 221 (two-to-one) design - Integrating unique Tweeter and Midrange technology
- Bass Management, with selectable frequency crossover points
- Advanced Bass Management
- Acoustic Placement Compensation
- Preset Storage and Recall
- Programmable reference levels
- Level alignment in 0,1dB steps
- All Monitors aligned within +/- 0.2dB precision
- Integrated Parametric EQ's and delay in each monitor (only accessible with PC-IP)
- Central and Remote control of system and parameters
- Direct Digital inputs and Analog inputs (optional)
- Networking in-between all AIR components
- Dedicated AIR Base subwoofers
- Two times 200-watt amp package in each monitor
|
| 
The AIR 20 offers transparency, consistent speaker performance and outstanding possibilities for optimizing performance in different Acoustical environments. The AIR 20 is developed for both stereo and multi-channel monitoring in demanding production environments including:
- Post Production
- Music Recording and Mixing
- Film Editing (smaller rooms)
- DVD authoring and Mastering
- 5.1 Production (Audio or Audio for pictures)
- Broadcast
- Edit suites
Combining technology from Dynaudio and TC, AIR 20 offers ultimate precision and sound.
The possibility of rotating the Mid-High module offers the flexibility for optimal placement in a wide range of applications.
With rotated Mid-High Module
Typical listening distance 1.5-3m / 5-10.2ft
Typical room size 80-130 m3 / 2800-4600 ft3
The AIR 20 monitor is the first 3-way design integrating the AIR technology. Combining brand new Dynaudio 221 (two-to-one) technology with cutting-edge digital TC technology, the AIR 20 defines new standards for performance and precision in 3-way powered monitors.
- 10" woofer, 5.5" midrange and 1.1 soft dome tweeter
- 192 kHz support via Dual Wire
- The new 221 (two-to-one) design - Integrating unique Tweeter and Midrange technology
- Bass Management, with selectable frequency crossover points
- Advanced Bass Management
- Acoustic Placement Compensation
- Preset Storage and Recall
- Programmable reference levels
- Level alignment in 0,1dB steps
- All Monitors aligned within +/- 0.2dB precision
- Integrated Parametric EQ's and delay in each monitor (only accessible with PC-IP)
- Central and Remote control of system and parameters
- Direct Digital inputs and Analog inputs (optional)
- Networking in-between all AIR components
- Dedicated AIR Base subwoofers
- Two times 200-watt amp package in each monitor
|
| 
The AIR 20 offers transparency, consistent speaker performance and outstanding possibilities for optimizing performance in different Acoustical environments. The AIR 20 is developed for both stereo and multi-channel monitoring in demanding production environments including:
- Post Production
- Music Recording and Mixing
- Film Editing (smaller rooms)
- DVD authoring and Mastering
- 5.1 Production (Audio or Audio for pictures)
- Broadcast
- Edit suites
Combining technology from Dynaudio and TC, AIR 20 offers ultimate precision and sound.
The possibility of rotating the Mid-High module offers the flexibility for optimal placement in a wide range of applications.
With rotated Mid-High Module
Typical listening distance 1.5-3m / 5-10.2ft
Typical room size 80-130 m3 / 2800-4600 ft3
The AIR 20 monitor is the first 3-way design integrating the AIR technology. Combining brand new Dynaudio 221 (two-to-one) technology with cutting-edge digital TC technology, the AIR 20 defines new standards for performance and precision in 3-way powered monitors.
- 10" woofer, 5.5" midrange and 1.1 soft dome tweeter
- 192 kHz support via Dual Wire
- The new 221 (two-to-one) design - Integrating unique Tweeter and Midrange technology
- Bass Management, with selectable frequency crossover points
- Advanced Bass Management
- Acoustic Placement Compensation
- Preset Storage and Recall
- Programmable reference levels
- Level alignment in 0,1dB steps
- All Monitors aligned within +/- 0.2dB precision
- Integrated Parametric EQ's and delay in each monitor (only accessible with PC-IP)
- Central and Remote control of system and parameters
- Direct Digital inputs and Analog inputs (optional)
- Networking in-between all AIR components
- Dedicated AIR Base subwoofers
- Two times 200-watt amp package in each monitor
|
|
The AIR 25 offers transparency, consistent speaker performance and outstanding possibilities for optimizing performance in different Acoustical environments. Operating at a staggering sample rate of 192 kHz supported via Dual Wire, the integration with DAWs is seamless. A digital output can be fed directly into the AIR 25 supporting 2.1, 5.1, 6.1 and 5.3 setups. The AIR 25 is developed for both stereo and multi-channel monitoring in demanding production environments including:
- Post Production
- Music Recording and Mixing
- Film Editing
- DVD authoring and Mastering
- 5.1 Production (Audio or Audio for pictures)
- Broadcast
- Edit suites
Combining technology from Dynaudio and TC, AIR 25 offers ultimate precision and sound.
The AIR 25 monitor is the second 3-way design from Dynaudio Acoustics integrating the AIR technology. Combining brand new Dynaudio 221 (two-to-one) technology with cutting-edge digital TC technology, the AIR 25 defines new standards for performance and precision in 3-way powered monitors. With the massive power that this monitor packs - a stunning 4x300-watt amp package - most demanding applications will be dealt with like a breeze.
- 2x10" woofer, one 5.5" midrange and one 1.1 soft dome tweeter
- 192 kHz support via Dual Wire
- Advanced Bass Management, with selectable frequency crossover points
- Acoustic Placement Compensation
- Preset Storage and Recall
- Programmable reference levels
- Level alignment in 0,1dB steps
- +/- 0.2dB precision alignment
Integrated Parametric EQ's and Delay in each monitor (PC-IP only)
- Central and Remote control of system and parameters
- Direct Digital inputs and Analog inputs (optional)
- Networking in-between all AIR components
- 221 (two-to-one) design - Integrating unique Tweeter and Midrange technology
- Four times 300-watt amp package
|
| 
The AIR 25 offers transparency, consistent speaker performance and outstanding possibilities for optimizing performance in different Acoustical environments. Operating at a staggering sample rate of 192 kHz supported via Dual Wire, the integration with DAWs is seamless. A digital output can be fed directly into the AIR 25 supporting 2.1, 5.1, 6.1 and 5.3 setups. The AIR 25 is developed for both stereo and multi-channel monitoring in demanding production environments including:
- Post Production
- Music Recording and Mixing
- Film Editing
- DVD authoring and Mastering
- 5.1 Production (Audio or Audio for pictures)
- Broadcast
- Edit suites
Combining technology from Dynaudio and TC, AIR 25 offers ultimate precision and sound.
The AIR 25 monitor is the second 3-way design from Dynaudio Acoustics integrating the AIR technology. Combining brand new Dynaudio 221 (two-to-one) technology with cutting-edge digital TC technology, the AIR 25 defines new standards for performance and precision in 3-way powered monitors. With the massive power that this monitor packs - a stunning 4x300-watt amp package - most demanding applications will be dealt with like a breeze.
- 2x10" woofer, one 5.5" midrange and one 1.1 soft dome tweeter
- 192 kHz support via Dual Wire
- Advanced Bass Management, with selectable frequency crossover points
- Acoustic Placement Compensation
- Preset Storage and Recall
- Programmable reference levels
- Level alignment in 0,1dB steps
- +/- 0.2dB precision alignment
Integrated Parametric EQ's and Delay in each monitor (PC-IP only)
- Central and Remote control of system and parameters
- Direct Digital inputs and Analog inputs (optional)
- Networking in-between all AIR components
- 221 (two-to-one) design - Integrating unique Tweeter and Midrange technology
- Four times 300-watt amp package
|
| 
The AIR 25 offers transparency, consistent speaker performance and outstanding possibilities for optimizing performance in different Acoustical environments. Operating at a staggering sample rate of 192 kHz supported via Dual Wire, the integration with DAWs is seamless. A digital output can be fed directly into the AIR 25 supporting 2.1, 5.1, 6.1 and 5.3 setups. The AIR 25 is developed for both stereo and multi-channel monitoring in demanding production environments including:
- Post Production
- Music Recording and Mixing
- Film Editing
- DVD authoring and Mastering
- 5.1 Production (Audio or Audio for pictures)
- Broadcast
- Edit suites
Combining technology from Dynaudio and TC, AIR 25 offers ultimate precision and sound.
The AIR 25 monitor is the second 3-way design from Dynaudio Acoustics integrating the AIR technology. Combining brand new Dynaudio 221 (two-to-one) technology with cutting-edge digital TC technology, the AIR 25 defines new standards for performance and precision in 3-way powered monitors. With the massive power that this monitor packs - a stunning 4x300-watt amp package - most demanding applications will be dealt with like a breeze.
- 2x10" woofer, one 5.5" midrange and one 1.1 soft dome tweeter
- 192 kHz support via Dual Wire
- Advanced Bass Management, with selectable frequency crossover points
- Acoustic Placement Compensation
- Preset Storage and Recall
- Programmable reference levels
- Level alignment in 0,1dB steps
- +/- 0.2dB precision alignment
Integrated Parametric EQ's and Delay in each monitor (PC-IP only)
- Central and Remote control of system and parameters
- Direct Digital inputs and Analog inputs (optional)
- Networking in-between all AIR components
- 221 (two-to-one) design - Integrating unique Tweeter and Midrange technology
- Four times 300-watt amp package
|
|
AIR Remote is a dedicated hardware remote control that ensures convenient daily operation. AIR Remote provides instant access to all significant operation parameters such as global volume, reference levels, preset recall as well as solo and mute status for each monitor. The AIR Remote is powered through a βTC Link' cable which is connected any AIR monitor.
Features:
- Global volume control
- Recall and Storage of three Reference levels
- Mute and Solo of individual speakers
- Preset recall
|
| AIR SOFT is a software remote control application that runs both on MAC and PC. It is intended for convenient daily operation and enables users to control AIR system parameters and presets real time.
Moreover AIR SOFT can be used to back-up settings as well as to upload new software to AIR components. A βTC Link to Serial Portβ converter-cable is included with AIR SOFT.
Users without a serial port on their Computer should acquire a USB to serial port converter. | Advanced calibration and alignment of AIR systems. The AIR PC-IP β Advanced Installers PC Interface Package β is a PC software package that gives access to advanced tools and features inside AIR monitors and subwoofers. Among other things, PC-IP enables adjustment of parametric EQβs and delay times for each monitor.
Moreover it is possible to define and store custom setups and presets with selective parameter locking. A special measurement mode provides EQ line signal out from selected monitor.
PC-IP is intended for people with extensive acoustic knowledge as well as appropriate measurement tools. |
| 
AIR Base-1 is the most compact dedicated AIR series active subwoofer. Intended for smaller rooms AIR Base-1 offers high performance where space is an issue. Use one AIR Base-1 with AIR 6 in smaller rooms or link several Base-1's in bigger rooms increasing acoustic output 6 dB for each additional unit.
Through the TC Link (proprietary AIR network) AIR Base-1 integrates with AIR series monitors and delivers unique features such as integrated bass management and presets. To be used with both stereo and multichannel AIR systems in any demanding production environment including:
- Post Production and Editing suites
- Music Recording and Mixing
- DVD authoring and Mastering
- 5.1 Production (Audio or Audio for pictures)
- OB Vans
Combining technology from Dynaudio and TC, AIR Base-1 offers ultimate precision and total integration with AIR Series. AIR Base subwoofers can be used only with AIR Series monitors.
Typical room size range for one AIR Base-1 is :
30-60 m3 / 1000-2000 ft.3
Typical room size range for two or three AIR Base-1's is:
50-100m3 / 1600-3500ft3
- 250-watt amplifier
- 192 kHz support via Dual Wire
- TC Link input only - for total
- AIR Series integration
- Bass Management LP filters with selectable frequency crossover points integrates with corresponding HP filters in AIR Series monitors
- Advanced Bass Management
- LFE gain programmable in 0.5dB steps
- Selectable LFE 120 Hz LP filter (brickwall)
- Phase adjustment
- Programmable reference levels
- Level alignment in 0,1dB steps
- Integrated Parametric EQ's and delay (only accessible with PC-IP)
- Central and Remote control of system and parameters
|
| 
AIR Base-2 a dedicated AIR series active subwoofer is suited for small to medium sized rooms together with AIR 6 or AIR 15. Several units can be linked where in bigger rooms increasing acoustic output 6 dB for each additional unit linked.
Through the TC Link (proprietary AIR network) AIR Base-2 integrates with AIR series monitors and delivers unique features such as integrated bass management and presets. To be used with both stereo and multichannel AIR systems in any demanding production environment including:
- Post Production and Editing suites
- Music Recording and Mixing
- DVD authoring and Mastering
- 5.1 Production (Audio or Audio for pictures)
- Broadcast
- Film editing
Combining technology from Dynaudio and TC, AIR Base-1 offers ultimate precision and total integration with AIR Series. AIR Base subwoofers can be used only with AIR Series monitors.
Typical room size range for one AIR Base-2 is:
50-100 m3 / 1600-4400 ft3
Typical room size range for two AIR Base 2's is:
75-125 m3 / 2600-4400 ft3
- 375-watt amplifier
- 192 kHz support via Dual Wire
- TC Link input only - for total AIR Series integration
- Bass Management LP filters with selectable frequency crossover points integrates with corresponding HP filters in AIR Series monitors
- Advanced Bass Management
- LFE gain programmable in 0.5dB steps
- Selectable LFE 120 Hz LP filter (brickwall)
- Phase adjustment
- Programmable reference levels
- Level alignment in 0,1dB steps
- ntegrated Parametric EQ's and delay (only accessible with PC-IP)
- Central and Remote control of system and parameters
|
|
AIR Base 12 is a recent addition to the AIR series, and with a total frequency response of 22 Hz - 200 Hz and 500 watts of amplification, this subwoofer delivers a clear and crisp punch to the bottom.
The subwoofer sports a new class D amp developed at the TC Electronic laboratories, which will assure "top of the line" quality and an abundance of power and reliability. On top of that the AIR Base 12 comes with a new 12" woofer that was specifically designed for low frequency reproduction and extremely tight impulse response.
AIR Base 12 is a compact and dedicated AIR series active subwoofer. Intended for smaller and medium size rooms, AIR Base 12 offers the high performance that has become the trademark of Dynaudio Acoustics' AIR Series. Use one AIR Base 12 with e.g. AIR 6 or 15 in smaller rooms, or link several Base 12's in bigger rooms with e.g. AIR 20 or 25 and increase the acoustic output with each additional unit.
Through the TC Link (proprietary AIR network) AIR Base 12 integrates with AIR series monitors and delivers unique features such as advanced bass management and a wealth of other tweaking possibilities. This subwoofer will be an ideal complement for both stereo and multichannel setups like:
- Editing suites.
- Post Production facilities.
- Music recording and mixing studios.
- Larger OB vans.
- DVD authoring and mastering.
- Stereo and Multichannel production.
Combining technology from Dynaudio and TC, AIR Base 12 offers ultimate precision and total integration with AIR Series. AIR Base subwoofers can be used only with AIR Series monitors. - New class D amp with TC technology
- New 12" woofers specially designed for AIR Base 12 & 24
- 192 kHz support via Dual Wire
- Networking in-between all AIR components
- Central and remote control of system and parameters
- Acoustic placement compensation
- Preset storage and recall, and programmable reference levels
- Integrated parametric EQs and delay in each monitor (PC-IP only)
- Advanced Bass Management
- Level alignment in 0,1dB steps
- All monitors aligned within +/- 0.2dB precision
- Direct Digital inputs and Analog inputs (optional)
- 500-watt amp package
- Supporting multichannel setups
|
| 
AIR Base 24 is yet another new member of the AIR Series and it comes with a total frequency response of 20 Hz - 200 Hz. With the massive 700 watts of amplification, the AIR Base 24 gives the phrase "Pump up the volume" an entirely new meaning.
The subwoofer sports a new class D amp developed at the TC Electronic laboratories, which will assure "top of the line" quality and an abundance of power and reliability. On top of that the AIR Base 24 comes with 2 new 12" woofer that was specifically designed for low frequency reproduction and extremely tight impulse response.
Suited for medium and large sized rooms, this subwoofer works splendidly with the larger monitors of the AIR Series, delivering one of the most powerful integrated solutions for stereo and multichannel monitoring found anywhere.
The AIR Base 24 takes benefit of all the AIR Series features like Advanced Bass Management and 192 kHz support via dual wire integrating perfectly into demanding production environments like:
- Editing suites.
- Post Production facilities.
- Music recording and mixing studios.
- DVD authoring and Mastering.
- Stereo and Multichannel production.
- Broadcast facilities.
Combining technology from Dynaudio and TC, AIR Base 24 offers ultimate precision and total integration with AIR Series. AIR Base subwoofers can be used only with AIR Series monitors.
- New class D amp with TC technology
- New 12" woofers specially designed for AIR Base 12 & 24
- 192 kHz support via Dual Wire
- Networking in-between all AIR components
- Central and remote control of system and parameters
- Acoustic placement compensation
- Preset storage and recall, and programmable reference levels
- Integrated parametric EQs and delay in each monitor (PC-IP only)
- Advanced Bass Management
- Level alignment in 0,1dB steps
- All monitors aligned within +/- 0.2dB precision
- Direct Digital inputs and Analog inputs (optional)
- 700-watt amp package
- Supporting multichannel setups
|
| 
The BM 9S subwoofer is intended to operate with the BM series monitors, more specifically, the BM 5A monitor. It is extremely well-suited for that extra punch to the bottom in setups where space is limited. The BM 9S delivers a clear, crispy and surprisingly powerful punch when you take its almost diminutive size into account. The BM 9S will complement stereo and multichannel monitoring equally well and when daisy-chaining of subwoofers is needed, it sports a low level LFE input/output.
For significant control and enhancement of the general performance, the BM 9S is a closed cabinet type. This creates an internal pressure by which the woofer gains a considerable amount of precision when it comes to the reproduction of low frequent signals. This precision is easily audible and it augments the feeling of reality that the listener experiences.
The BM 9S is very suitable for the following production environments:
- Post Production
- Music Recording and Mixing
- Film Editing (smaller rooms)
- DVD authoring and Mastering
- Multichannel Production (Audio or Audio for pictures)
- Broadcast
- Edit suites
- OB vans
The BM 9S is designed according to the strict BM series specifications. With a 10β woofer and 200 Watts of power, and virtually minute dimensions, this sub is tailor-made to take care of even the most comprehensive challenges where space is scarce. Being every bit as versatile as the rest of the BM series, BM 9S is a very competent partner for smaller stereo and multichannel setups, giving a very powerful system for even the most demanding users across the globe.
The Auto On/Off function, provides a minimized idle energy usage by shutting off after minutes of no input signal. The auto sensing circuit enables BM9S to automatically come to life when input signal is detected.
The satellite filters that this sub sports, provides high-pass filtering of the monitor source signal allowing 60Hz or 80Hz corner frequencies.
This is a huge advantage for the monitor performance, as the satellites do not need to deal with power consuming lower frequencies. This leaves all the satellite power to greatly accelerate performance and precision.
Main Features:
- 10β woofer
- Phase adjustment in 0° / 180°
- Auto on/off, power LED
- Mode selection, LFE or slave
- Adjustment of low-pass corner frequencies (50-150Hz)
- SAT/SUB high-pass adjustment, Flat, 60 Hz, 80 Hz
- Small dimensions: 11.6β X 11.4β X 12.5β
- 200 W @ 4 Ohms
- Discrete LFE input, slave output for linking
- Closed cabinet for extremely precise low frequency reproduction
|
|
The BM 14S subwoofer is perfectly aligned for operation with the BM and M series monitors.
For larger multichannel setups with e.g. five M1.5's, multiple BM 14S's will be a preferred choice.
The BM 14S is designed to take care of the most challenging requests and it will compliment larger stereo and multichannel setups in even the most demanding studios.
The BM 14S has been designed as a closed cabinet type subwoofer. This type of cabinet design gives you significant control and enhancement of the general performance as the closed cabinet creates an internal pressure. This adds considerably to the amount of accurately reproduced low frequency signals. When audio reproduction is more accurate, it will add to the sense of reality, and the BM 14S ensures exactly that.
The BM 14S is very suitable for the following production environments:
- Post Production
- Music Recording and Mixing
- Film Editing
- DVD authoring and Mastering
- Multichannel Production (Audio or Audio for pictures)
- Broadcast
- Edit suites
With a substantial 300 watts of power coming from the 12β woofer and an impressive low frequency limit of 18 Hz, this subwoofer is the perfect match for the BM and M series monitors.
With an auto On/Off function, energy usage shuts off after minutes of no input signal, thereby saving energy when the subwoofer is idle. As soon as an input is detected, the auto sensing circuit enables the subwoofer to come back to life.
A satellite filter feature is provided by the BM 14S, enabling adjustment of low-pass corner frequencies from 50 to 150Hz of the monitor source signal. The subwoofer will thus take care of the lower and power consuming frequencies, and thereby adding to the performance and clarity of the monitors in the system. This is due to the high-pass filtering feature that the BM 14S comes with. If the need arises to daisy-chain more subwoofers to the same system, the low level LFE output gives you exactly that choice.
Main Features:
- 12β woofer
- Phase adjustment in 0° / 180°
- Auto on/off, power LED
- Mode selection, LFE or slave
- Seamless adjustment of low-pass corner Frequencies
- SAT/SUB high-pass adjustment, Flat, 60 Hz, 80 Hz
- Dimensions: 13.8" x 14.5" x 16.5" / 350 x 368 x 420 mm
- 300 W @ 4 Ohms
- Discrete LFE input, slave output for linking
- Closed cabinet for extremely precise low frequency reproduction
|
|
